Grant narratives, deep concepts, broad perspectives, and extreme scales (61 pieces across 6 collections).
Following a hunt for answers through analysis, subjectivity, novelty, and integration into the self.
Following an emergent consciousness as it discovers itself and searches for others.
Tracing the path from isolation and despair through to renewal and rejoining.
Charting our solar system from the center of the sun to the outer planets.
Snapshots of the psychological systems that drive human behaviour (19 pieces across 7 collections).
Examining the four major fear responses: fight, flight, freeze, and fawn.
Some of the unconscious defence mechanisms we use to maintain psychological safety.
A few of the processes that contribute to obsessive compulsive disorder.
Two approaches to conflict, one leading to forgiveness, one leading to resentment.
Science, technology, engineering and mathematics (26 pieces across 9 collections).
Two of the most important techniques in object-oriented programming.
A wallpaper for a colleague at Google who liked the Borg and was a fan of Hungarian notation (gross!)
Higher order dynamics can be hard to spot, but most real systems have them in some way.
A peek at the core principles that made Google a truly wonderful place to be an engineer.
Exploration of various societal and cultural phenomena (4 pieces across 3 collections).
Follow the rules, don't rock the boat, and most importantly, never ask questions.
Universal human experiences (26 pieces across 11 collections).
Exploration of LGBTQ experiences and sexuality in general (27 pieces across 9 collections).
Exploring the abstract perspectives and places available to the human mind (7 pieces across 2 collections).
Lines, transparency, layers, fills, and other explorations of pure geometry and color (9 pieces across 3 collections).
References to cultural icons and well-known brands (18 pieces across 12 collections).
Unrelated characters from various media, some of my earliest sketches.
Various locations from various perspectives (12 pieces across 6 collections).
Various locations from the University of Adelaide North Terrace Campus.
Individuals and anthropomorphic representations (25 pieces across 7 collections).
Abstractions and impressions of various objects (5 pieces across 5 collections).
My means of production, which is not strictly accurate, since I use a digital painting tool.
The family I had no say in (9 pieces across 4 collections).
A woman who was always detached from reality and one egg shell away from disaster.
Palettes and other materials used in my work (1 piece across 1 collection).
Copyright © 2025 Jack Bradshaw. Provided under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0).